Paper Nation introduces Writing Producers' Scheme

Writing Producers’ Scheme

As part of Paper Nations’ ongoing quest to establish the South-West region as a place for writers, we are launching the Writing Producers’ Scheme.

The Writing Producers’ Scheme will support writing producers to create, expand, and sustain writing initiatives. We’ll do this by mentoring writing producers to develop their writing project ideas, create sustainable business plans, and write proposals for financing and grants.

The application process is open and can be found at the bottom of this page. Please share this call with anyone who you think may be interested.

woman with short hair at a laptop, taking notes  Notebook with balled up paper and a pencil on top.  Hand writing in a notebook.

We are looking for:

Producers with ideas and proposals that will contribute to the development and sustainability of a ‘place for writers’ in the upper South-West region of England.

Writing producers are simply those who create or help to run writing initiatives. Producers may come from a strictly writing or publishing background or they may have produced events or schemes in another industry. They could be entrepreneurs, workshop leaders or other kinds of writing educators.

A Place for Writers is a region where writing and storytelling are nurtured, and where diverse voices are developed and valued. As part of this we are supporting the development of villages, towns, cities, writing destinations, and communities. We’re also working closely with creative industry partners to incubate community interest companies, social enterprises and micro businesses and SMEs that support writers.

How could the Writing Producers’ scheme help me?

Successful applicants can propose ideas for writing initiatives and projects. You may have a project that you want to launch or an existing initiative that needs support. We will help candidates make this project happen by providing a sponsored 1-2-1 mentoring session as well as a place on our 2020 Dare to Write? Academy Habit Camp. Producers can use the scheme to incubate ideas, and get mentoring and support for writing funding proposals.

All successful applicants will receive an events pass, gaining free access to events provided in collaboration with the Dare to Write? Academy. You will also be able to access a coworking space in Palace Yard Mews, central Bath.

In addition to providing mentoring support, producers will have the option to be added to a database of writing producers within the upper South-West region. The database may be shared with other organisations who have paid opportunities for writing producers and/or educators.

How do I apply?

Applicants can fill in an expression of interest (EOI) form using the button at the bottom of this page. The EOI form will take about 15 minutes to complete. It asks applicants to tell us about themselves, their experience, and their project idea.

Applications close at midday on Thursday 12th March. Successful applicants will be informed in April 2020. More information on the application process is available in our downloadable FAQ, which is available below.

two men working in a coffee shop, chatting  woman with notebook and pencil, thinking wryly  writing for all launch event - whole room shot

Who can apply?

Those who apply for this scheme must value creativity and be organised, with a practical mindset. They must also believe in our vision to make writing accessible to everyone and be able to contribute to our mission to establish the South-West as a Place for Writers.

This call is open to people from all backgrounds but we are keen to broaden the range of voices in the world of writing and publishing, to hear from people from backgrounds that are not currently well represented. These include: people of colour, working class people, people from areas of rural or coastal deprivation, people who have experienced homelessness, refugees, people from the LGBTQ+ communities, people who have survived abuse, disabled people, and people with chronic health conditions.

You must live and work in Wiltshire, Gloucestershire (inc. South Glos), or Somerset to be eligible.

What do you mean by a writing project or initiative? How do I know if my idea ‘counts’?

Writing initiatives and projects could be any number of things. We don’t wish to be too specific as we would like to support a range of different ideas. Your project could be purely creative writing-based, or it could be interdisciplinary (take, for example, the way in which the Maths Poems project blended poetry and mathematics).

Your project could involve a series of workshops or events, or you could build something like an app, website, or resource that will serve the writing community. It could be mentoring-based, focused on developing networks and partnerships, or offer showcasing opportunities such as publishing. It could be enterprise-focused, like helping charities or local start-ups write about the work that they do or it could aim to be an established writing business, like The Good Literary Agency. Or it could be more of an installation. Your concept could be large or small, for a specific demographic, or be open to everyone. The options are endless.

What do we expect from successful applicants?

We will ask you to keep journals of your progress and document your work through any of the following: written reports, blogs for the Paper Nations website, and quotes to be used on public-facing media.

Your experiences will be showcased as part of our Writing for All events planned for 2020-2021. You will be expected to demonstrate the impact of the commission on your creative practice. We will provide templates and support to help you do this.

I don’t have an idea of my own but I am a project manager or producer with skills to offer. Can I apply to work for Paper Nations?

If you are a writing producer without their own concept, who is looking to work on and support Paper Nations’ own projects you should fill out this separate EOI form.

 


SSS 'Disruptive' stories wanted ;)

4 Weeks to the Deadline

It's just 4 weeks to the deadline for submissions to our 20th event on Sunday 19 April at the Cotswold Playhouse. We close at 23.59 on Sunday 8 March. Thank you to everyone who has submitted already.

The theme is DISRUPTION  think about this subject as widely as possible) and the event is dedicated to SSS mainstay, the late Rick Vick.

It's free to submit and we'll be choosing ten stories as usual. Hopefully the Cotswold Playhouse will be full again so that the authors will read to up to 150 people. And, of course, there will be the offer of publication in our next anthology which is due next year.

All the information you need about our Rules and How to Submit is on our website.

. Audience TICKETS, priced at £8, will be available from Friday 20 March from the Cotswold Playhouse website, by which time the authors will have been named.


Cornium Radio Opportunities

Below are dates that are still available for anyone interested in talking about writing, sharing their work, publicising books/gigs/workshops etc.
Please contact Rona Laycock if you are interested  writersinthebrewery@yahoo.co.uk
More info on the sessions is below the dates.

April 16th , 23rd,  30th.

May 7th, 14th, 28th.

Writers Room

We meet in the foyer of Cirencester Library, The Waterloo, Cirencester GL7 2PZ  at 11am on the day of recording.

The library is situated at the back of Bingham House and can be reached via the little alleyway that runs down the side of TSB in the market place. Once the alleyway opens out into a road you will find the library on the right.

Work that is to be read on community radio has to be acceptable to a wide range of listeners so we ask that there is no explicit violence or sex and not too much swearing - certainly not the stronger swear words.

I will chat to you about what inspires you or what sort of writing you like to do etc.  If you have a website or have published a book you can publicise that as well. The programme is approximately 26 minutes long so we have plenty of time for readings as well as the interview.

The sessions are recorded so that any mistakes we make can be edited out.  If you make a mistake just stop and go back a couple of sentences and the programme producer will sort it all out during the editing.

The programme is now available to be sent out as an audio file via email so you don’t have to wait until it is broadcast to hear your performance!

It also features on the ‘Listen Again’ page of Corinium Radio’s website.

 


News from our friends in Evesham

Reminder, our 2020 Short Story Competition is now open.

Coming soon: Workshops: Stepping into Social Media Workshop with Ellie Stevenson - Monday 10th Feb, 10.30 am - 1.00 pm, and Developing Your Novel (Editing) with Alison May - Saturday 7th March, 10.30 am - 4.30 pm. Still places available for these two workshops. Cost £15 and £25 respectively)

Monday 2nd March, Tony Conder will be talking about Gloucestershire's Chosen Trio (Poets Ivor Gurney, Herbert Howells and FW Harvey). Tony's talk is at Holland House, Cropthorne, and follows a 2-course lunch. Arrive 12.30 for lunch at 1.00 pm. Tickets £18 direct from Holland House (tel: 01386 860330).

Since the last update we have added in two new events: Alice May will be talking about The House That Sat Down. Tuesday 23rd June, 2.30 pm, at a new venue for the Festival - Cavendish Park Care Home, Offenham Road. Its a fabulous venue, and Alice's talk will be followed by afternoon tea. Saturday 3rd October, 7.30 pm, we have Words and Music of The Vale with local singer/songwriter, Colin Pitts and friends. Venue: Unitarian Chapel, Oat Street.

Details of all events can be found on our Festival website. We are currently working on the Festival Brochure, which should be in print by end of March.

Our new Evesham Festival of Words Book Club was launched in January. It was a fantastic evening, much enjoyed by all who came, with so much lively and friendly discussion. Contact Helen Yendall if you are interested in finding out more (email: helenyendall@yahoo.co.uk).

Tickets for all 2020 events are now available and can be booked via me - email: info@eveshamfestivalofwords.org, or tel: 0787 1285606; via our Festival website (www.eveshamfestivalofwords.org) with payment by Paypal, or through the Almonry Museum & Tourist Information Centre (tel: 01386 446944). Note workshop tickets are not available through the Almonry.

We have a great line up for 2020 and no shortage of ideas. We would like a couple more people on the Steering Group. If you are interested, then do get in touch. Note that I will be abroad on holiday from 8th - 20th February with email but no phone access.

Meanwhile, look forward to seeing you at some of our great line up of events.

Sue Ablett, Chair Evesham Festival of Words


Celebrating local success...

Writers and Performers News- Congratulations all !

  • Barry Faulkner's 9th novel in the DCS Palmer and the Serial Murder Squad series, Ministry of Murder, was released in  October and made it into the top 100 medical crime books on Amazon. Faulkner sets each book in a different setting, this one is a serial murder case in the NHS Ministry of Health involving organized crime, an MP and drug price manipulation.

 

  • Belinda Rimmer’s “Waiting for Snow”, ZD Dicks’ “Krampus”, Cliff Yates’ “I’ve Just Invented the Tai Chi Sprout Farm Stalk” and Kathryn Alderman’s “Season’s Greetings from the Heart” were all published on Ink, Sweat & Tears website, for IS&T’s “Twelve Days of Christmas” set.

 

  • Chris Hemingway’s poem “Resting a Calligraphy Brush” has been published on the Dear Reader Poetry website.

Article - Keeping a writer's notebook

Photo and article: David W. Berner

I have little notebooks everywhere. In my bag, in my car, on my desks. Several are on my desks. Most of them are inside a little writing shed on my property but others are kept at my college office. I do not just keep one. And I do not consider it necessary to write in them, any of them, every day. None of them would be considered a journal or a strict daily diary. No, they are notebooks. Meant for notes. Fleeting thoughts of greatness and nothingness. Bursts of creativity and banal crap. And if you are keeping a notebook and not doing it in this scattered, haphazard way, I contend you may be doing it all wrong.

Notebooks have been part of the writing life forever. They have come in many forms from Virginia Woolf’s diary to Ernest Hemingway’s ever-present notebook, the one he wrote about in A Moveable Feast.

Mark Twain used his notebook to brainstorm. Ralph Waldo Emerson filled more than a dozen volumes with observations that were the foundations of bigger works. And John Steinbeck kept a diary of his writing progress while he worked on The Grapes of Wrath.

Too many times I’ve read articles and heard writing teachers and workshop facilitators talk about the notebook. Many tout its importance as some imperative. You must keep one and you must write in it every single day, they say, as if it is the path to good writing. I contend this is the absolute wrong way to approach the writer’s notebook.

The notebook should not be a chore. It should not be a duty. It should be freewheeling with its purpose shifting and changing to the delights of the writer. It should be a volume of dreams. Not a volume of tasks. It should be a place of fantasy, whimsy, and imagination. Write in it. Draw in it. Doodle in it. Use black ink and red and purple. Use a pencil. Use a crayon. The notebook should be a place to poke around in the dark or in the brightest light, a place to survey the brain, discover the deepest thoughts or the silliest realizations. Write in one notebook or write in dozens. Keep one there and one over there. By the bedside and in your pocket. Own them. Love them. Cherish them.

Philip Hoare is the author of three books about the sea. His latest is the travel /memoir/essay collection entitled RISINGTIDEFALLINGSTAR. Hoare says he’s kept some kind of notebook since 1974. He has not only changed notebooks over and over, he has changed from fountain pens to Uniballs to pencils stolen from hotels. He draws. He writes. He tapes photos inside. And when he looks at all those notebooks, as he explained in an edition of The Island Review, Hoare sees his life “marching across the shelves.” In one way the notebooks are documents of his travels, his life, his being and yet they are also acts of impulse and amusement. Hoare sees the notebook as a constant but not an anchor to his creative life.

If you are starting your creative life with notebooks, in order to keep it truly your own process, I suggest keeping only three things in mind: to-do list.

  1. Go to your notebook only when it feels right not when you think you are supposed to. Write, draw, scribble only when you can’t imagine doing anything else. Filling you notebook should never be part of a to-do list.
  2. Make what’s inside an individual endeavor. Don’t approach the notebook the way other writers have or according to some blog post about what a writer should or should not be doing with a notebook. Make the notebook wholly yours.
  3. Refuse the urge to be neat. The notebook should be the first draft of ideas. Scratch out words, circle and star things, spill coffee on its pages. Messiness has its merits. Ideas come from messiness.

Some writers insist you should never go anywhere without a notebook, believing it is a necessity to creativity.

But that should be up to you and you alone. If you try to force the notebook into your creative life instead of letting it become part of your creative life, you will reject it or fall out of favor with the process. Life with a notebook should not be in a writer’s job description, it should a love affair with ideas and the joy of creation. If you always consider the notebook in that light, you’ll fill them all with incredible things.


Stroud Short Stories - open for submissions

Stroud Short Stories is open for submissions.

 

Stroud Short Stories is currently open for submissions for its special 20th event dedicated to Stroud writer Rick Vick who sadly died at the end of November. There were obituaries for Rick in The Times and The Guardian. 

Here is the latter.

(By the way, Rick did once read at a GWN event at the Chelt LitFest.)

 

The event is for all Gloucestershire and South Gloucestershire writers. The theme this time is DISRUPTION. Submissions are free and you may submit unpublished or published stories. The deadline is the end of Sunday 8 March and the event is on Sunday 19 April at the 150-seater Cotswold Playhouse. Tickets will go on sale on 20 March.

 

All information about submitting is on the Stroud Short Stories website.

 

Sincerely

John Holland


Writing space available at Snowshill Manor

In 2020 Snowshill Manor and Garden is offering a space for creative workshops and courses on Saturdays and Sundays at a low day rate which includes entry to the gardens and manor house for course leaders and participants for inspiration…

The offer lends itself particularly well to writing courses as Charles Wade, who bequeathed the house and its contents to the National Trust, was himself a keen poet and welcomed a number of notable writers to Snowshill during his time here. Further details about Charles Wade and Snowshill Manor can be found on our website at https://www.nationaltrust.org.uk/snowshill-manor-and-garden/features/who-was-charles-wade

I would be grateful if you could please pass this information on to your members. I would be happy to respond to any questions or queries about this opportunity.

Best wishes

Rachel Leach

Rachel Leach

Business Support Coordinator

 

National Trust

Snowshill Manor and Garden, Snowshill, near Broadway, WR12 7JU

01386 842810

rachel.leach@nationaltrust.org.uk

 


Annual Glosink event

GLOSINK AT PEPPERS
invites you to our annual reading of prose and poetry at Peppers Cafe in Gloucester
on Friday, December 13, 2019 from 18.30 to 20.30 with a half-hour interval.
Entry is free. Food and drink are available to purchase from the cafe during the event.
We look forward to seeing you there to share the art and craft of writing in a relaxed setting.

Papatango New Writing Prize

Opening in 2009, the Papatango New Writing Prize is the biggest playwriting award in the UK, attracting more average annual entries than any other. It was the first – and remains the only annual – playwriting award to guarantee its winner a full world premiere in London followed by a national tour, plus royalties, publication and a £6,500 commission to support a follow-up play.

The 2020 Papatango Prize is open for entries! The UK's only playwriting award to guarantee: a month-long premiere in London; a month-long UK tour; royalties; publication; £6,500 commission and feedback for all entries, it is assessed anonymously and open to all residents of the UK and Ireland. All you need is a story. Enter by 9pm on 2 February 2020. www.papatango.co.uk